Sharon Isbin: Is she the new ‘face of classical guitar’? by Jason WalshSurprise Anniversary: The San Francisco Conservatory of Music Guitar Program turns 50 by Pat MoranThe Process Never Stops: The Los Angeles Guitar Quartet’s Scott Tennant discusses the group’s evolution by Mark AriThe Father of Haitian Classical Guitar: Eclectic Guitarist Marc Ribot Honors His Mentor, Frantz Casseus by Pat Moran
SPECIAL FOCUS: GUITAR FESTIVALS & COMPETITIONSFearlessly Toward the Mainstream: Tom Kerstens on the IGF on festival planning By Thérèse Wassily SabaDid They Like Me? How to succeed in classical guitar competitions by Guy TravissAalborg International Guitar Festival: A report from Denmark by Paul Fowles
NEWSCG News: Remembering Hector Quine, Guitars for FergusonLetter From... Badi Assad on performing in GermanyHigh Society: A look at the Austin Classical Guitar SocietyMomentito: Graham Wade on a changing of the guard, Segovia, and moreView from the Front Row: Learning classical guitar wasn’t always so academicKeepers of the Flamenco: Who will be the next Paco?
PLAYReverberations: The legacy of Francesco CorbettaRehearsal Room: Dealing with performance anxietyFormula for Success: Five ways to prepare for an audition Performance Prep: Making the move from practice room to concert stage
CRAFTFret Work: Luthier Kenny Hill builds guitars for the elite and the massesWorld on a String: The Baroque era's chitarra battente New Products: A GPS guitar tracker, D'Addario carbon strings, and more
REVIEWSStage: The Romeros, Emma Kirkby and Jakob Lindberg, Ana VidovicDiscs: Richard Durrant’s Cycling Music, Durrant and Beach: Guitar and Harpsichord, plus The Famous WeissPrint: Music from Jean-Marie Raymond, Domenico Scarlatti, Essential Flamenco Guitar, Nick Fletcher, Federico Tarazona
Share this item: